Desire And Decadence In The Film Bildnis Einer Trinkerin (1979) As An Aesthetic Modernist Reaction

Aesthetic modernism parts from modernization which is characterised by westernization and progress. modernism, prefers stability over improvement, primitivity contemporary, imagination mind, play work subconscious consciousness is, with the enforcement of modern process, other choice alongside dominant version modernization. It difficult to say that aesthetic interpreted as stakeholder theme 19th century romanticism 20th avant-garde, treated sufficiently cinema. In spite this, filmography Ulrike Ottinger a feminist surrealist director, provides spectrum through viewing in cinema possible). Bildnis Einer Trinkerin, director shot 1979 while pursuit visual pleasure company satire fantasy, conveys arrival woman Berlin one-way ticket no motivation than get drunk how she realizes her desire. The obscurity past future main character an absolute focus actions appearances takes place films timeline. who does not speak throughout film becomes feminine dandy costume repertoire flâneuse movements knows limit. Through behaviours who, together side characters almost part travelling circus, assumes identification modernist reaction. regards achieves within scope conceptual frame, desire decadence comes fore. Desire, determinant triggering absurdity film, harmony productivity sociability Deleuze Guattari incorporated conceptualizing term. Whereas outcomes act drinking point decadence. Decadence, includes denotations addiction downfall Paglia’s conceptualization term axis art sexuality. modernism’s opposition bourgeois capitalism, are common ground decadence, bestows exceptional importance.